It's gonna be directed by Frenchman Eric Valette, who previously directed the magnificent, claustrophobic & Lovecraftian-like MALÉFIQUE. But I'll reserve that rating for THE AUDITION, my favorite Takashi Miike film ever (for now, at least).Īnd, by the way: I'm ready for the re-make. So maybe I should really rate this one 10/10. Now that's just great if a movie manages to do that. The effect it had on me was: wanting to re-watch the movie. And the very last shot should normally have you thinking about something that someone in a very brief scene said, earlier in the movie. This time he does it by taking the movie to a different level, by adding that very last scene. Not be inserting a sickening scene, or adding some repulsive imagery (though some events and effects really are quite gruesome). And this time, surprisingly, he doesn't do it in the usual way. And then there's Miike, who just once again had to give this movie that Miike-touch of his, making it all just one bit more special in a way. The conclusion is great and practically unpredictable the twists were damn good. Every jump-scare works (there was one were I almost went through the roof! I recommend watching this with the sound turned up a notch just let it blast out of the speakers, and I guarantee you: you will jump!).

The death scenes are original and rather graphic.

Almost every little aspect that is being mentioned in the plot, carries a little set-up within that delivers a pay-off later. Miike handles a very tight script and a plot that has virtually no holes and a lot of eye for details. Where Sadako's ghostly tale of terror was sort of touching the boundaries and establishing some clearly defined characteristics of the genre, CHAKUSHIN ARI pushes the boundaries and uses these characteristics as a reference to the genre. But I am gonna say that ONE MISSED CALL is without a doubt, on some levels, more effective than RINGU. I'm not even gonna argue about whether it's the best J-horror movie or not. And you know what? He was right! RINGU can be considered as the original one that started it all (because of being the first big hit in the genre, for one thing). I bet he was thinking 'I can do this too. Well, what can I say? Takashi Miike's take on the whole so-called J-horror hoopla. Reviewed by Vomitron_G 9 / 10 'Hello, it's you here.

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